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"Oh, no! But listen to my story. When he saw how I hated his proposal, he very generously forgave the price, and let me have the document a free gift. That was rather good of him, was it not? because men like having their own way, you know." "Poor soul! poor soul!" says Mona, brokenly; then she drops her hand, and the woman, turning again to the lifeless body, as though in the poor cold clay lies her only solace, lets her head fall forward upon it. "Does he really?" asks Mona, with eyes wide open. "I am sure if I ever meet your brother Nick I shall be dreadfully afraid of him.".
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Conrad
"Well, now," they replied; "we have those animals, how are we to kill them?" "Did you see the pig," she says, "sitting up by the fireplace? All through I couldn't take my eyes off him. He struck me as so comical. There he sat blinking his small eyes and trying to look sympathetic. I am convinced he knew all about it. I never saw so solemn a pig." Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature." "He's covered, safe enough. They've throwed an ould sheet over him,—over what remains of him this cruel day. Och, wirra-wirra!" cries the woman, suddenly, throwing her hands high above her head, and giving way to a peculiar long, low, moaning sound, so eerie, so full of wild despair and grief past all consolation, as to make the blood in Rodney's veins run cold..
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